Anchored by a man whose quest humanizes global changes, this film traces the historical events and presents situation of nuclear disaster across human society.   Every nuclear site he revisits represents a specific temporality — Northeast Asia as a vaguely uncertain future; Fukushima, Japan, as the ongoing present; Semipalatinsk, Kazakhstan, as the concealed past; Chernobyl, Ukraine, as the forever alienated present and Onkalo, Finland, as the future of the future.  The film unfolds from one place to another, from the remote past to the near present towards the possible future.  The narrative created through deconstruction and reconstruction of historical incidents and presents provides a new way of reflecting on nuclear issues. Tracing this line of thoughts, a panorama of global apocalyptic landscapes after nuclear disaster as well as the daily lives of humans on these lands is brought to life.  Amongst ruins and human survival issues, the past and the future, daily life and the apocalypse, alienation and familiarity, reality and bizarreness, the film, visually futuristic yet close to cyberpunk science fiction, seeks to  create a human allegory in the present.